Well we have recorded proof of our own slip up, and it is one that I daresay Aristophanes would have appreciated for its comedic value. There is also a slightly uncomfortable moment near the end of the podcast where, undoubtedly not for the first time, Aristole and Aristophanes are mixed up and its never quite admitted to us. Music comes from the big folder of lost CD’s again, and this week even comes with a CD insert, so the connection between Kerry picking music from Kerry (and Donegal) can be made most explicit.
And in the course of our discussion we consider a Bright Beach Memoir (Sussex not Long Island), how many copies of the Complete Works Of Shakespeare one needs, the perfect size for a woman to be to get her dream job, and the value of comedy. This weeks Lost Property Office takes on a decidedly theatrical flavour as I invite Kerry Lambeth to do battle with the assorted umbrellas and notebooks.
Lost Property Office 6: Jacobean Photocopiers In the video she makes you, the viewer-as-Chiquitita, a cup of tea and settles down for a chat, and it’s perfect: that’s exactly what her version feels like. A great example of this is her version of “Chiquitita”, warm and homely where ABBA’s is melodramatic, replacing its theatrical flourishes with a cosy tick-tock rhythm like a parlour clock. The knights templar and scotland Sinead O’Connor is one of the finest song interpreters not just because she thinks hard about the material and the feelings locked in it, but because she’s so good at placing songs into a situation.
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The klub 17 v622010 ARCHIVE SINEAD O’CONNOR – “Nothing Compares 2 U” If you recognise the music, or want to enter the competition (YOU CAN WIN SOMETHING WITH THIS PODCAST) either e-mail or put you details in the comments. Its a very special show this one so make sure you don’t miss it (or at least listen to the first three minutes to decide if you want to miss it). Dogs are discussed, as are flip-flops, the great lost cash card scams of the 1990′s and there is a moment reflection when I realise I may never, ever go into space. This weeks music comes from a lost SD card, and is probably Brazilian, and on the show today’s Lost Propertier finds some food, a little bit about human anatomy pre-1940 and talks at great length about a scary trailer park in York. Well in the case of podcasts there is a analogous situation, which I explore in this weeks podcast which truly shows the danger of letting me loose on a microphone without a safety net. It is fantastically self serving, self indulgent, and an easy well to go to if inspiration dries up. He started singing in nightclubs, but after finishing school, he put his budding music career on hold to serve in the military through 1956.There is a rule wherein every newspaper columnist is allowed one “Get Out Of Jail Free” card, where they can write a column about the process of writing a column. In fact, his Lewis impression gave him his first stage name, Gerry Dorsey.
Not only did he earn a standing ovation, he also impressed the audience with a knack for comic impressions, particularly Jerry Lewis (which he often included in his later live shows). He took up the saxophone at age 11, but didn't really try his hand at singing until 17, when his friends talked him into entering a small local singing contest. His father worked as an engineer for the British Army, and the family returned to England when Arnold was seven, settling in Leicester. Humperdinck was born Arnold George Dorsey on May 2, 1936, in Madras, India. Like his friendly rival Tom Jones (with whom he shared a manager for many years), he later settled into a comfortable niche as a stalwart of the Las Vegas entertainment circuit. He was especially popular in Europe and his native U.K., and his worldwide record sales - counting both albums and singles - eventually totaled well over 100 million. During his heyday in the late '60s and early '70s, Humperdinck cultivated the image of a mysterious heartthrob, sporting shaggy sideburns and a flamboyant wardrobe that, when coupled with his rich, silky crooning, drove female fans wild. Despite the strange name and the latter-day ads hawking his music on late-night TV, Humperdinck was one of the finest middle of the road balladeers around, a sensitive lyric interpreter with excellent vocal technique and a three-and-a-half-octave vocal range. Ultrasmooth balladeer Engelbert Humperdinck was often billed as "The King of Romance," and for millions of fans around the world, he more than lived up to that title.
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